An article written 10 years ago, in the summer of 2011. My macro photography artworks in the review signed by an authoritative art critician: Lino Lazzari, professional journalist, writer, priest in love with art and life, dean in Italy of communication on art, a long editorial militancy for the newspaper “L’Eco di Bergamo”, author of… Read More “THIS MACRO PHOTOGRAPHY IS REAL POP ART AVANT-GARDE”: IN MEMORY OF LINO LAZZARI, ART CRITICIAN
We have seen, in a previous post, that Pantone has chosen the yellow color – also in combination with gray – as the color of the year 2021. During my chromatic research of the “Lacer / actions” project I encountered several situations in which yellow was predominant in the color palette. Both as regards the… Read More THE YELLOW YEAR / CRACKS ON AN AGRICULTURAL MACHINE
Yellow varnish on a peeling metal surface can lead to truly surprising results. Time, weather conditions, smog, dust and rusts act effectively on materials and offer scenes of singular charm at the end of their corrosion process. Just like this yellow paint that the lens of my camera has caught on the pole of a… Read More CORROSIONS ON THE SURFACE OF AN IRON GATE: WITH A TOUCH OF YELLOW #3
Cracks & Corrosions like Maps to Nowhere… These are some macro and abstract photos I took walking along the streets of Bitonto, a beautiful city in Apulia, Italy. They are part of “LaceR/Actions”, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial… Read More NATURAL CRACKS & CORROSIONS / LIKE MAPS TO NOWHERE #2
After the advertisement has been torn and removed from the billboards, traces and marks of ink, glue and residuals of paper can be glimpsed on the surface. In my opinion, this is a sort of open-air exhibition. Our eye can read and admire strange shapes and a sort of codes that only the time and… Read More THE TORN (PUBLI)CITY: SIGNS & CODES LEFT ON A BILLBOARD #3
After the advertisement has been torn and removed from the billboards, traces and marks of ink, glue and residuals of paper can be glimpsed on the surface. In my opinion, this is a unique spectacle. An open-air exhibition. Our eye can read and admire strange shapes and a sort of codes that only the time… Read More THE TORN (PUBLI)CITY: SIGNS & CODES LEFT ON A BILLBOARD #2
Cracks is part of my Lacer/actions Project, a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters, natural cracks, crevices, scratches and urban and industrial signs and tokens (I’ve collected so far more than 100.000 photos…). Transferred on canvases, reproduced on lithographic prints or textiles, re-built on collages or scanned in videoclips, the images… Read More ROME, THE UNIVERSE OF MACRO: CRACKS AND DECOMPOSED MATTERS # 1
Abstract photos series from the “Lacer / actions” project by Roberto Alborghetti. Tellin’ the colors of reality… Textures and shapes from a macro shot of a gutter corroded by the time in S. Giovanni Valdarno (Florence, Italy). A videoclip will follow. Works available on various media. For info: email@example.com . * Serie di foto astratte… Read More PHOTOGRAPHIC VIVISECTION OF A GUTTER CORRODED BY TIME. PIC #1
Eleven photos by Roberto Alborghetti, for his “Lacer/actions” project, go on aluminum plates. How macro photos of decomposed matters can change and renew the concept of interior design and decoration. The 11 installations has been made for a private collection (Fai Service). Infos and contact: firstname.lastname@example.org
They’re not paintings… They’re Lacer/actions. Abstract and macro photos by Roberto Alborghetti about torn and ripped publicity posters, cracks and scratches, decomposed matters, urban and industrial signs and tokens. Watch the Video Catalogue of 41 Lithographic Prints. Interested in purchasing these images in exclusive and original copies? Ask for the availability to: email@example.com firstname.lastname@example.org
Video created by Roberto Alborghetti, for Lacer/actions project and research about torn and decomposed publicity posters, natural cracks and scratches, industrial and urban decompositions. They’re not paintings, but…simple macro photos of the reality around us.
In 1967 a great song hit the world: “A Whiter Shade Of Pale” by Procol Harum. Roberto Alborghetti visual art (“Lacer/actions” project) meets this wonderful masterpiece of the music. The pictures of the video are not paintings but abstract photos about torn and disfigured publicity posters and decomposed materials.
This is the cover of the 2018/2019 edition of LAMIAGENDA, available starting from Spring 2018, published in Italy by I Quindici. It presents a brand new artwork – a collage of waste paper recovered from disfigured advertising posters – I created for my “Lacer/actions” project. It wants to express the theme of the new edition… Read More SPECIAL PREVIEW: MY ARTWORK CHOSEN FOR THE COVER OF THE NEW “LAMIAGENDA 2018/2019”